01
 People (detail), 1979. Hand silk screen on cotton muslin. Width: 45 inches.
People (detail), 1979. Hand silk screen on cotton muslin. Width: 45 inches.
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Will Stokes Jr.:

Retrospective

February 1, 2007–May 19, 2007

Opening Reception:
Friday, 2 March 2007, 5-7 p.m.

Performance and Reception:
At Reading Terminal Market (12th and Arch Streets), Friday, 2 March 2007, 7-9 p.m.

The Fabric Workshop and Museum (FWM) is pleased to present Will Stokes Jr., a retrospective exhibition spanning the self-taught artist's thirty year history with FWM. The exhibition features a selection of Stokes' dynamic figurative silk screen prints, paintings, drawings, and repeat yardage.

Will Stokes Jr. has been with The Fabric Workshop and Museum since its inception in 1977 and has maintained a small studio space at FWM for the last thirty years. FWM's Founding Director/Artistic Director, Marion Boulton Stroud, discovered Stokes' talent when he was still in high school, and she continues to support his artistic career and nurture his talent with the help of many other mentors and friends. Stokes is often described as a "self-taught" or "outsider" artist. He is an accurate observer of humanity with a brilliant sense of color, and his work infused with a distinctive combination of idealism, wry humor, sensitivity, and attention to detail. The exhibition, Will Stokes Jr., and accompanying publication, present Stokes' work chronologically starting with his work as a student at Prints in Progress in the 1970s, where, for the most part, he created simple prints of figures in indoor settings. When he started as an apprentice at FWM, Stokes' work became more complex. His work of the late 1970s and 80s, is characterized by fantastic landscapes filled with strange vegetation and populated by human nudes and imaginary creatures. These densely patterned paintings and silk screen yardages, including Hidden (1980) and People (1979), are enlivened by Stokes' use of bright colors and crayon textures, as well as by his energetic drawing style. During these formative years, Stokes' figures remained largely anonymous, more an integral part of the landscape than recognizable individuals.

Slowly Stokes' work moved towards portraiture again and in the 1980s he started an ongoing series of portraits and self-portraits he calls "Peoples Working," which includes numerous images of FWM studio staff. While in residence at the Headlands Center for the Arts in 1993 and later while attending Skowhegan School of Painting and Sculpture, in Skowhegan, Maine (1996), Stokes developed his skills as a portraitist further, creating elaborate tableaus of fellow artists into which he often inserted an image of himself as an artist/documenter shown drawing or photographing the scene. Although Stokes has worked with a variety of subject matter - African animals roaming the plains, prehistoric pterodactyls, flying birds, and three-dimensional stuffed animals - portraiture remains a dominant theme. In his current series of group portraits, Stokes, inspired by television and magazines, paints celebrities interacting with one another in unexpected combinations. The individuals portrayed include pop culture icons and historical figures ranging from Michael Jackson (also the name of Stokes' pet turtle), to Anna Nicole Smith to Booker T. Washington.

 



Bio
Born 1955, Philadelphia. Lives and works in Baltimore.
Will Stokes Jr. was introduced to printmaking at Prints in Progress where he met Marion Boulton Stroud. When Stroud founded The Fabric Workshop and Museum in 1977, Stokes was the first High School Apprentice and he has continued to maintain a studio at FWM ever since. Encouraged by Stroud, Stokes studied painting at the Pennsylvania Academy of the Fine Arts (PAFA) and later at the Skowhegan School of Painting and Sculpture in Skowhegan, ME (1996). He has also participated in several artist residencies. In 1998, the Printmaking Workshop sponsored his print residency at the Mohammed Kahlil Studio, New York, NY. He also did a residency at Headlands Center for the Arts, San Francisco, CA (1993) and at The Printmaking Workshop, New York, NY (1988). Stokes had several one-person exhibitions in Philadelphia at the Esther M. Klein Art Gallery (1991), FWM (1986), the Janet Fleisher Gallery (1980), and at The Painted Bride Art Center (1979), as well as outside the city at the Haynes Art Center Glass Gallery, Chapel Hill, North Carolina (1990). His work has also been included in numerous group exhibitions including Material World - From Lichtenstein to Viola: 25 Years of the FWM, Museum of Contemporary Art, Sydney, Australia (2002), Verso, guest curated by Nancy Spector, FWM (1997), and Pattern in Print: Artists Celebrate Cloth, United States Information Agency, touring exhibition (1991-93). His work is also in numerous private collections including that of Marion Boulton Stroud, Anne d'Harnoncourt, Eudora Moore, John and Ann Ollman, Charles and Noelle Fahlen, Janet Fleisher, Jill and Sheldon Bonovitz, Ted and Barbara Aronson, Ann Percy Stroud, Dr. and Mrs. William Wolgin. Stokes currently lives in Baltimore, but regularly commutes to The Fabric Workshop and Museum in Philadelphia.