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A view of Warp Trance, 2007, a project-in-process at The Fabric Workshop and Museum, 2007. A view of Warp Trance, 2007, a project-in-process at The Fabric Workshop and Museum, 2007.
A view of Warp Trance, 2007, a project-in-process at The Fabric Workshop and Museum, 2007.
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A view of Warp Trance, 2007, a project-in-process at The Fabric Workshop and Museum, 2007.
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Senga Nengudi:

Warp Trance

June 9, 2007–August 26, 2007

Opening Reception:
Friday, 8 June 2007, 5:30–8 p.m.

Performance and Reception:
Friday, 8 June 2007, 6 p.m.

The Fabric Workshop and Museum is pleased to present Warp Trance, a new project by Senga Nengudi on view at the Pennsylvania Academy of Fine Arts' Morris Gallery. Nengudi, an artist-in-residence at The Fabric Workshop and Museum (FWM), collaborated with FWM to create an installation that employs a 3-channel video projection of rhythmic sounds and images derived from industrial weaving mills to evoke ritual and trance. Senga Nengudi: Warp Trance opens on Friday, 8 June with an artist lecture at 6 p.m. and a reception from 5:30–8 p.m. The exhibition is on view through 26 August 2007 at the Pennsylvania Academy.

Nengudi is best known for her performance, installation, and sculptural work involving movement and the body. During her residency at The Fabric Workshop and Museum, Nengudi became interested in Pennsylvania's, and FWM's, rich history with textile production. She visited several local textile mills including MTL, in Jessup, PA, and Langhorne Carpet in Penndel, PA, as well as Scalamandre in Long Island City, New York, and was fascinated by the repetitive motion and sounds of the mills. During these visits, with the generous cooperation of the mills, Nengudi collected video footage and sound recordings as well as hundreds of Jacquard punch cards. She then asked the composer Butch Morris to take the audio recordings from the textile mills and turn the ambient sounds into a composition to accompany the video projections. The resulting installation, Warp Trance, leads the viewer into an almost trancelike state through repetitive motion and audio and visual rhythm.

Warp Trance is Nengudi's first work involving video. She has primarily been drawn to discarded, everyday materials with farther reaching associations than the viewer might initially assume. The Jacquard punch card panels onto which the video footage is projected in Warp Trance fit perfectly into this category. As well as being a revolutionary step in textile production, the Jacquard loom was also the first machine that used punch cards to control a sequence of operations. Consequently, the cards are considered the first important step in the history of computing hardware as well as a key conceptual precursor to the development of computer programming.

Nengudi's Warp Trance touches on the history of technology, ritual dance, contemporary music, and the politics of labor, but, for the artist, it's really about the interaction between the viewer and the piece. Nengudi wants the work to encourage us to move and dance removing us from the everyday through Warp Trance's mesmerizing rhythms and visual patterns.

Exhibition Location
Pennsylvania Academy Morris Gallery, Historic Landmark Building
Pennsylvania Academy of the Fine Arts
118 North Broad Street
Philadelphia, PA 19102
[T] 215.972.7600 [F] 215.569.0153
www.pafa.org

 



Bio
Born 1943, Chicago. Lives and works in Colorado.
Senga Nengudi received a B.A. in art and dance and a M.A. in sculpture from California State University in Los Angeles, CA. She also studied Japanese Culture at Waseda University in Tokyo, Japan. Nengudi was at the forefront of the African-American avant-garde in New York and LA in the 1970s and 80s and has had solo exhibitions at various locations including Thomas Erben Gallery (which represents Nengudi) in New York (2005). Her work has also been included in numerous group exhibitions including Out of Action: Between Performance and Object, 1949-1979, Museum of Contemporary Art, (LA MOCA) Los Angeles, CA (1998), the 54th Carnegie International 2004-2005, Carnegie Museum of Art (2004), Double Consciousness: Black Conceptual Art Since 1970 at the Contemporary Art Museum, Houston, Texas (2005), and Role Play: Feminist Art Revisited 1960-1980 at Gallery LeLong, New York (2007). In 2005, Nengudi received both the Anonymous Was a Woman Award and the Louis Comfort Tiffany Foundation Award. Nengudi's work is featured this spring and early summer at LA MOCA in the traveling group exhibition WACK! Art and the Feminist Revolution (2007).